Showing posts with label San Jose. Show all posts
Showing posts with label San Jose. Show all posts

Friday, September 11, 2009

San Jose, CA: Outdoor Rock Festivals 1967-69 (An Overview)


San Jose was the fourth largest city in California in the 1960s (it has since passed San Francisco for third). It had a lively and exciting rock scene as well, but the scene has been unfairly lost in the intense focus on San Francisco music in the 1960s. San Jose and its surrounding suburbs had a vibrant live music scene, helped immeasurably by the fact that the local AM station (KLIV 1590) supported local bands like The Syndicate Of Sound and The Chocolate Watch Band. Besides excellent local bands, San Jose was a regular gig for all of the Fillmore and Avalon bands, so San Jose rock fans not only had their own indigenous scene, but had exceptional opportunities to see the best of San Francisco on a regular basis as well.

In recent years there has been renewed interest in the local San Jose bands, and rightly so--Chocolate Watch Band richly deserved to be considered among the best of 60s Bay Area bands, but never got their due until recently--but the constant presence and influence of San Francisco bands has received scant attention. I was doing research for a different project and realized that the small number of outdoor rock festivals in San Jose between 1967 and 1969 offers a nice microcosm of the history of outdoor rock festivals in general during that period. This post does not try to make a claim to be "exhaustive," in the sense that there may be multi-act outdoor events that I am not aware of, but the six events here are the most important ones, all took place within a short distance of each other, and summarize the arc of rock festivals in San Jose and everywhere else.

The six events are

May 14, 1967  City Park at 10th and Alma Streets, San Jose 
      San Jose Be-In

October 8, 1967 Family Park, Santa Clara County Fairgrounds 
       Haight Ashbury Medical Clinic Benefit

May 18-19, 1968 Family Park, Santa Clara County Fairgrounds 
      Northern California Folk-Rock Festival

May 25, 1968 Family Park, Santa Clara County Fairgrounds
      McCarthy Is Happening

May 23-24-25, 1969 Family Park, Santa Clara County Fairgrounds
      2nd Annual Northern California Folk-Rock Festival

May 23-24-25, 1969 practice field, San Jose State College
      Aquarian Family Festival


May 14, 1967   City Park, 10th and Alma Streets
              San Jose Human Be-In
            Country Joe and The Fish/New Delhi River Band
The park at 10th  Street and Alma was across the street from Kelley Park. South Alma Street was the same Alma that ran through Mountain View (as Central Expressway) and Palo Alto, basically parallel to El Camino Real.

After the famous Human Be-In in San Francisco on January 14, 1967, there were “Be-Ins” all over the country, particularly on the West Coast. Major Be-Ins or similar events were held in Berkeley (Provo Park),  Los Angeles (Griffith Park), Vancouver (Stanley Park) and New York City (Tompkins Square), with many other cities and towns having smaller events put on by local hippies. The San Francisco bands felt it was there duty to play as many of these events as they could. Country Joe and The Fish, for example, played the Stanley Park Be-In in Vancouver on March 26, 1967, and at least some San Francisco bands seemed to have flown down to Los Angeles the same day to play the Griffith Park Love-In.

The New Delhi River Band were Palo Alto’s leading psychedelic band. They had more or less been the “house band” at The Barn in Scotts Valley, and featured future New Riders of The Purple Sage David Nelson and Dave Torbert. Country Joe And The Fish had also regularly played The Barn, and by this time were regular Fillmore headliners so both bands had a following. CJF's first album had been released the month before, and on top of that, local radio was playing "Not So Sweet Martha Lorraine," so it was sort of a local Top 40 hit, so the star power at the Be-In was fairly substantial. I'm not certain of the publicity associated with it--one poster (above) was completely critical, and while another gave the bands and the location and time, I do not know how widely they were circulated.

For all the star power of Country Joe and The Fish, and the local notoriety of the hippie scene, I know of no report, even second or third hand of the San Jose Be-In. Was it well attended? Was there trouble with the cops? Did any other bands play? Did it even happen? Even in the 60s, perhaps because of its proximity to San Francisco, events in San Jose seemed to take place in somewhat of a vacuum.

October 8, 1967 Family Park, Santa Clara County Fairgrounds, San Jose
            Haight Ashbury Medical Clinical Benefit
Big Brother and The Holding Company/Quicksilver Messenger Service/Mother Earth/Mad River/Freedom Highway/Ace of Cups/Dr. West’s Medicine Show 

Family Park was inside the gates of the Santa Clara County Fairgrounds, but it was somewhat separate from the facilities of the Fairgrounds proper. The formal address of the Fairgrounds is 344 Tully Road, but the entrance to the grounds was 1st Street and Tully Road, about 2 miles from the site of the San Jose Be-In.  The roads and the Fairgrounds have changed considerably since then, but the approximate geography is still correct (although if San Jose sells the Fairgrounds, the very valuable site may turn into housing and offices).

A recent article has the backstory, but briefly, Dr. David Breithaupt, a volunteer physician at the Haight Ashbury Free Clinic, organized the benefit concert. Initially he wanted to hold the concert at the nearby baseball stadium (home of the minor league San Jose Giants), but after overcoming some resistance he was allowed to use the fairgrounds. Rock concerts at the Fairgrounds had mostly, if not always, been held in one of the Pavilions or Arenas of the Fairground. In any case, if there had been concerts at Family Park (I'm sure there had been) they had not been all day affairs featuring major recording acts. 

Apparently about 7,500 people attended the concert, a friendly Nun took the tickets, Hells Angels watched over the Nun and a good time was had by all. All of the bands had social and management connections, and had played together many times. One remarkable detail of this event was that someone made a listenable audience tape of the entire show--very rare for the 1960s--and for many decades these recordings were the only circulating live tapes of lesser known Bay Area bands like Mad River and The Ace Of Cups. Dr. West's Medicine Show, incidentally, featured Norman Greenbaum, who later hit it big with "Spirit In The Sky."

The San Jose Be-In and subsequent Benefit concert in Family Park five months later mimicked the arc of the San Francisco Be-In and its more commercial successor, the Monterey Pop Festival (held June 16-18, 1967, 5 months after the SF Be-In). Similar to Monterey, while the show was advertised and tickets were sold, the bands played for free (or close to it, perhaps some expenses were paid), and the substantial crowd was still manageable.





May 18-19, 1968 Family Park, Santa Clara County Fairgrounds 
      Northern California Folk-Rock Festival
May 18, 1968  (Saturday)
Jefferson Airplane/Big Brother and The Holding Company/Grateful Dead/Steve Miller Band/Youngbloods/People/Sons of Champlin/Crome Syrcus/Transatlantic Railroad/Indian Head Band/Mourning Reign
May 19, 1968  (Sunday)
The Doors/Country Joe and The Fish/Electric Flag/Youngbloods/Ashish Khan, Shamin Ahmed, Taranoth Rad/Loading Zone/People/Taj Mahal/Mint Tattoo/Elgin Marble/Omar
Listings from schedule (in reverse running order) on the back of a ticket. Note that many of the scheduled bands from the poster did not end up playing the concert, a cautionary tale about trusting 60s posters.            

The Northern California Folk Rock Festival was an attempt to cash in on the Monterey Pop model with a profitable rock concert. The show was held at Family Park over two days, and it certainly featured a truly all-star cast. The show was also extremely well-attended; supposedly as many as 100, 000 attended the show, and while I think that is an exaggeration--the city of San Jose had a stake in overstating the attendance to prevent the show from happening again--clearly there was a much larger crowd over the two days than anyone anticipated.

The principal aftermath of the concert, however, besides the massive crowds, was the numerous drug overdoses. Apparently the Hells Angels were "marketing" (not a term they would have actually used) PCP under the name "Hog", and it caused numerous people to be treated at the show for overdoses. A few surviving audience tapes reveal some excellent music, but the principal memory in San Jose was a concert that overwhelmed its venue and was quite out of control, which is why the City and County forbade future festivals.

Notes On The Bands

The Jefferson Airplane and The Grateful Dead had nighttime gigs at The Shrine in Los Angeles, and flew down for the shows. The Airplane only appeared at the late show, because they had headlined the Saturday show in San Jose. 
People, Mourning Reign, and Elgin Marble were San Jose area bands.
Indian Head Band were from Castro Valley, and featured future Its A Beautiful Day guitarist Hal Wagenet.
May 25, 1968 Family Park, Santa Clara County Fairgrounds
      McCarthy Is Happening

Jack Jones and Jill St. John/H.P. Lovecraft/Nitty Gritty Dirt Band/Clear Light/Flaming Groovies/Crystal Syphon/The Womb/Jimmy Nite and The Nite Caps/Phantasmagoria/The Howl/Anonymous Artists of America/Day Blindness/Shango/many others
Of all the events in this brief chronology, this event is the most obscure and the most revealing. I only know the event from the poster--I have never heard of a review, memory or second hand account. However, the poster itself is very revealing. I have analyzed this event at length elsewhere. Briefly it appears that this was an effort to have a sort of "Hippie Fair."

Eugene McCarthy was running for President on an Anti-Vietnam War platform, and the California primary was June 4. The wording of the ad suggests that it is a pro-McCarthy event, but there is no evidence that its really a fundraiser. The peculiar double headline acts of HP Lovecraft, who headlined the Fillmore a few weeks earlier, and Jack Jones and his new wife Jill St. John, Las Vegas lounge headliners, is a truly headscratching combination. My assumption is that the organizers were trying to appeal to actual hippies and people about 10 years older, and that the effort was a failure.

Of all the many obscure local psychedelic bands playing the McCarthy Is Happening event, one of them, Shango, was the successor to the New Delhi River Band. Thus two members of the group (bassist Dave Torbert and drummer Chris Herold) had played the San Jose Be-In in May 1967, and were back playing a commercialized version of the event (of sorts) just a mile away and a year later. 


May 23-24-25, 1969 Family Park, Santa Clara County Fairgrounds
      2nd Annual Northern California Folk-Rock Festival


Jimi Hendrix Experience/Jefferson Airplane/Chambers Brothers/Led Zeppelin/Eric Burdon/Spirit/Canned Heat/Buffy St. Marie/Youngbloods/Steve Miller/Chuck Berry/Muddy Waters/Taj Mahal/Noel Redding (and Fat Mattress)/Lee Micheals/Blues Image/Santana/Aum/Elvin Bishop/Poco/People/Linn County/Loading Zone/Sweet Linda Divine/Cat Mother/Doc Watson/New Lost City Ramblers

After the drug-addled debacle of the previous year, it was surprising that there was an encore. Supposedly the promoters managed to rent the Fairgrounds on false pretenses, and then started advertising Jimi Hendrix and Led Zeppelin, even though they had neither under contract. The festival ended up occurring, and was well attended, but the city and county made sure there wasn't any further events.

Some performer notes:

  • The multiple acts were spread out over three days and I do not know the exact running order. Jimi Hendrix closed the festival on Sunday night. 
  • Led Zeppelin: The Concert File (Dave Lewis and Simon Pallett, Omnibus Press 1997) quotes Peter Grant as saying that Led Zeppelin had a gig in Chicago all weekend, so they played Friday afternoon (May 23) and the promoter hired a Lear Jet to fly them to Chicago for their Friday Night show. At this time, their first album had just been released, albeit to enormous acclaim, and Led Zeppelin were still trying to make a name for themselves.  
  • Eric Burdon did not get to play due to time constraints. 
  • At the time of this show, Santana was just another popular local band without an album, although their groundbreaking debut album would be released a few months later. 



May 23-24-25, 1969 practice field, San Jose State College
      Aquarian Family Festival


Ace of Cups/All Men Joy/Birth/Beggars Opera/Boz Skaggs/Crabs/Crow/
Cleanliness & Godliness Skiffle Band/Devine Madness/Denver/Scratch/Elgin Marble/Flaming Groovies/Frumious Bandersnatch/Gentle Dance/Greater Carmichael Traveling Street Band/ Glass Mountain/High Country/Jefferson Airplane/Joy of Cooking/Last Mile/Libras/Lamb/Living Color/Linn County/Mother Ball/ Morning Glory/Mad River/Mt. Rushmore/Nymbus/Old Davis/Red Grass, Green Smoke/Rubber Maze/ Rising Tide/Rejoice/Sunrise/Sable/Sons of Champlin/Sounds Unlimited Blues Band/ Sandy Bull/The Steve Miller Band/ Stoned Fox/South Bay Experimental Flash/Throckmorton/Tree of Life/Weird Herald/Womb/Warren Purcell/Zephyr Grove


The Aquarian Family Festival was a remarkable event in many ways. It was a free rock festival in the spirit of a Be-In, nearby and in contrast to the 1969 Folk Rock Festival, very well attended and largely forgotten. Outdoor rock festivals in San Jose started with the free Be-In in 1967, as they did in many cities. Unlike most areas, which gave up on rock festivals in 1969 or 1970 after too many bad experiences, San Jose ended with an odd duality. The 1969 Folk Rock Festival was a full-on festival with Jimi Hendrix, Led Zeppelin and others, and less than a mile away there was a free concert with continuous music for 72 hours and comparable attendance. The net result was the same admittedly--San Jose had had it with rock festivals, but it was a unique ending to the narrative.

The story is almost too complex to tell, but fortunately it is well covered elsewhere. The basic overview is on Wikipedia, reflective websites with photos are here and here, and a modern perspective was published in 2009, and there is still plenty to reflect upon this event. The very short version of the event is as follows.

Various parties who objected to the commercialized Folk Rock Festival got permission from San Jose State College to put on the free concert at a football practice field across from the football stadium (Spartan Stadium). The justification was allowing a place for people to rest on their way to and from the Folk Rock Festival. Although I cannot precisely identify the location, as the land usage seems to have changed, it seems that the practice field was on the same intersection as the San Jose Be-In (10th and Alma) but on an opposite block (if anyone who knows 1960s downtown San Jose geography can illuminate me, I would be very grateful). 

Terms of the agreement with San Jose State said that people could only be present while music was being performed, so the organizers arranged for 72 hours of continuous music. An extra large stage was constructed to allow one band to set up while another performed, thus insuring constant music. The extensive list of performers--which even the organizers admit is hard to be certain about--includes a large percentage of the working bands in the South and East Bay in 1969. All of the bands played for free, and here and there are a few surprises. Jefferson Airplane showed up after their Saturday evening set and played an apparently ripping set, and the Steve Miller band dropped by as well. Most famously, Jimi Hendrix finished his Sunday night show and dropped by to do his thing at the Aquarian Fest, but it was Sunday night and the stage was already being broken down and he was unable to perform (for an extensive discussion of the bands that are known to have played, see here). 

The 3-day campout and Be-In was generally well-reviewed by the local papers, and at least 20,000 people--possibly 4 times that number--attended the Aquarian Family Fair. It wasn't without incident: there were 4 stabbings, 15 attempted rapes and one gang rape (by Hells Angels hired for security, a precursor of Altamont), and there were complaints about the decibel level. 

The double whammy of a giant 3-day rock festival with Jimi Hendrix at The Fairgrounds, while a nonstop 72 hour free concert went on a mile away was too much for San Jose. Future concerts were limited to the Fairgrounds proper or the football stadium, and while some good bands played there in the subsequent years, they played regular shows with typical two or three-band bills. The short, peculiar history of Rock Festivals in San Jose was in fact a microcosm of the arc of Rock Festivals in the United States as a whole, from the free beginnings to the commercial overkill to the anit-commercial reaction. While the subject is ripe for further and extensive study, San Jose's brief history tells the whole story in miniature. 

May 25, 1968 Santa Clara County Fairgrounds, San Jose, CA: McCarthy is Happening


The 1968 "McCarthy is Happening" event at the Santa Clara County Fairgrounds in San Jose is only known from the flyer (shown above). The event was scheduled for Saturday, May 25, 1968, and probably took place, although I have no direct evidence one way or the other. Nonetheless, there are numerous interesting things about the conception of the event, whether it took place or not.

The Santa Clara County Fairgrounds in San Jose, at 1st Street and Tully Road (the formal address was 344 Tully), were regularly used for rock concerts. However, concert events were typically in one of the buildings or grandstands, with a few or several bands, like any typical concert. Sometimes local San Jose bands played--many of them quite popular--and by 1968 bands from San Francisco and even elsewhere had started to play there. This festival event, however, was distinctly different than any event that had happened before or since at the Fairgrounds, including the famous (and infamous) Northern California Folk Rock Festivals of 1968 and 1969. Those events were multi-day rock shows with headliners like The Doors (1968) and Jimi Hendrix (1969), and were organized like The Monterey Pop Festival. "McCarthy is Happening," which although it took place after the 1968 Folk-Rock Festival (which was on May 18-19), had to be planned before hand, appears to be a different animal entirely.

Thanks to correspondent Steve, we have an alternate flyer for the same event
The Name

The "Title" of the festival is "McCarthy is Happening." Senator Eugene McCarthy was the popular anti-Vietnam War candidate, and popular with young people, and the crucial California primary was on Tuesday, June 4.  However, nothing in the flyer says anything about the election, or being a fundraiser, or political speeches. At this remove, it appears that McCarthy is invoked as sort of a talisman of cool, simply a marketing device. Either this is an example of ultra-clever campaign marketing, decades ahead of its time, or its simply a cynical use of a popular politician. It does say "Donations: $2.00" but no organization or cause is cited--many sixties events claimed tickets were "donations" so as not to appear too commercial.

The Event

The flyer says "12:00 Noon Continuously 12:00 Midnight." The Fairgrounds were set up for this kind of arrangement, and indeed the implication is that the event is simply a hippie fair. The circle in the center says "with Arts and Crafts, Pony Rides, Animal Zoo, Food, Games: Peace To You." All of those amenities--well, perhaps excepting Peace To You--were standard at the Fair, and no doubt the same operators managed them. The tickets are "Donations: Big People-2.00, Under 12-50 cents" so children are at least encouraged, if not entirely expected.

I count about two dozen musical acts, at least three dance troupes, one multi-media show and a few more hard to determine performers. Given the vast number of performers, there must have been multiple stages, but of course the County Fair is set up for that as well, and there were plenty of venues. Clearly the intent is to provide continuous entertainment, so that people will stay several hours and buy food or other items, so the economics were probably intended as similar to the County Fair. A detailed discussion of the musical acts is below, but in general only a few of these acts would have been known, and most would have been quite obscure even then. As a result, the performers would not have been particularly well paid, once again similar to County Fair economics.

The Headliners

The headline acts are HP Lovecraft, Nitty Gritty Dirt Band and Jack Jones and Jill St. John. HP Lovecraft, while not major, were a unique Chicago psychedelic band with enough of a following to headline the Fillmore Auditorium. Nitty Gritty Dirt Band, a Long Beach "folk-rock" (later country rock) band had released two albums and had a Top 40 hit with "Buy For Me The Rain," so while they were perceived as a bit slicker than a Fillmore band, they would have had a following too. Jack Jones and Jill St. John are the only act with a listed start time (1:00 pm), and they would have been considerably better known, and considerably less hip, than anyone else on the bill. Jack Jones and Fillmore bands on the same bill, and at an outdoor concert, is a surprising and even curious combination.

Jack Jones (born 1938) was one of the more popular singers in the 1960s, but he sang in an "Adult Contemporary" style that was typical of Frank Sinatra and Las Vegas lounges. Modern readers will probably only recall that he sang the theme from "Love Boat." Jill St. John, then a rising actress, was his wife at this time (they were married from 1967-69). I do not know what their act was, but it was probably a very professional Las Vegas-style revue, quite a bit different than the bluesy psychedelic stylings of many of the bands. Jack Jones remains a popular performer, although obviously his schedule is reduced. Jill St. John went on to become a famous Bond Girl ("Tiffany Case" in Diamonds Are Forever) and remains a working actress.

The Acts

Of the 32 acts listed, I recognize 13 of them as rock bands, and all but HP Lovecraft, Nitty Gritty Dirt Band and Clear Light are local (see below for a more extensive analysis). There are three acts identified as dance troupes, and several acts with names that seem vaguely multicultural rather than psychedelic (like Ruiz De Luzuriaga), some that I can't say for sure whether they are bands I haven't heard of or some other act (Azziza, The Anatolians and Rikudom), and several 'regular' names. I think the names like Chloe Scott and Vickey Drake are local "Contemporary" performers, like Jack Jones. Since they are near "George Gershwin", who died in 1937, I think the lower semi-circle of acts are local performers intended to appeal to older people who will like Jack Jones (mind you, even these people wouldn't yet be 40, as Jack Jones himself had just turned 30).

Based on the acts I recognize, and some assumptions about 60s naming conventions, the appeal is at the two types of "McCarthy Voters"--young people, who were actual or aspiring hippies, and 30-40 year olds, probably with families and jobs, who didn't hate rock music but liked something more refined. Given that I can think of no outdoor festival that attempted this mixture, I highly doubt that this was a good idea, but that is one thing that makes this event so interesting.

Stewart Brant's Wargod

"Stewart Brant's Wargod" would actually be Stewart Brand's "War: God", a multimedia presentation. Brand was a remarkable figure, a pioneer in multi-media presentations and computers, founder of The Whole Earth Catalog, co-conspirator of Ken Kesey and The Merry Pranksters and organizer of the legendary San Francisco Trips Festival (January 21-22-23, 1966), upon which all Fillmore and Avalon concerts were modeled thereafter. War: God would probably have been running continuously in a special room, once again a need that the Fairground would have met very well (the presentation was probably a mixture of slide shows, lights, music and movies). Brand would have been a known quantity amongst the hip and forward looking, and his presence indicates that at least some aspect of the organizers plans were not directly commercial.

Speculative Conclusions

This event seems so unique that I suspect it was a commercial disaster. I say this not just because no one seems to remember it, but because if the peculiar mixture of an all-day hippie fair with kids rides and lounge music was a winning combination, it would have happened again. This event seems such an odd mixture of performers--Stewart Brand and Jill St. John, to name two--that it was fated to either be a success or failure but not inbetween.

The fact that a huge two-day rock festival had taken place on the same site the previous weekend, whose 20 performers included The Doors, Jefferson Airplane, The Grateful Dead, Electric Flag and numerous other fine groups must have made the event seem anticlimactic in any case. The Eugene McCarthy phenomenon, well outside the scope of this blog, was also a rare event, so the conditions that made this event seem plausible were not likely to be repeated in any case.

Its also possible that this event was so peculiarly conceived that it never took place. Many sixties events are "obscure" because while the flyer exists, the event was canceled, and nobody publishes a flyer to announce a cancellation. Anyone with any knowledge (real or imagined) about this event is encouraged to Comment or email me.

Notes On The Bands

May 25, 1968 Santa Clara County Fairgrounds, San Jose, CA
McCarthy is Happening (Noon til Midnight)

Jack Jones and Jill St. John/HP Lovecraft/Nitty Gritty Dirt Band/Clear Light/Flaming Groovies/Stewart Brand's War: God/Marion Andus Jazz Ballet/Crystal Syphon/The Anatolians/Le Aloha Dancers/Ruiz de Luzuriaga/Azziza/The Womb/Jimmy Nite and The Nite Caps/Phantasmagoria/LA Bloth Feeling and Center/Anonymous Artists of America/The Howl/The Ching/Day Blindness/Paul Curtis Ballet/Shango/Randy Conger/The Great Darv/Chloe Scott/George Gershwin/Big Mike Dinga/Rikudom/Vickey Drake/Peter Donner/Dave Gabe

Notes on bands familiar to me: 

HP Lovecraft: HP Lovecraft was a Chicago group, and they had been billed at the Fillmore as recently as May 9-10-11, 1968, sharing with Loading Zone and Seattle's Crome Syrcus, the last show (May 11) of which was released in 1991. In mid-1968, they had probably just released their second and last album.

Nitty Gritty Dirt Band: A Long Beach group, initially a jug band, they evolved into folk-rock and eventually country rock. In 1967 they had a Top 40 hit, "Buy For Me The Rain" and they also released two albums. In 1968, multi-instrumentalist Chris Darrow would have just joined. The group has had a long career, and are still active today.

Clear Light: A psychedelic rock group on Elektra, Clear Light were one of many bands that ought to have made it but didn't. They only released one album, in 1967. This event would have been near the end of the band's career. Bassist Doug Lubahn played with the Doors, and drummer Dallas Taylor ended up with CSNY. Danny Kortchmar may have been the lead guitarist by this late date.

Flamin Groovies: The Flamin Groovies were a British Invasion style band from San Francisco, the Groovies were never very popular in the psychedelic era.

Crystal Syphon: Crystal Syphon were a Merced band, who played a little in the Bay Area.

The Womb: The Womb were a San Francisco band who were somewhere between psychedelic and progressive rock. The lead singer was Rory Butcher, previously of The Hedds. The band released two albums on Dot Records in 1969.

The Nite Caps: Based on ads I have seen, The Nite Caps seemed to be an East Bay bar band.

Anonymous Artists Of America: The Anonymous Artists of America lived in a commune in the Santa Cruz Mountains, and they basically took over from Ken Kesey's Pranksters when Kesey left for jail and Oregon. They were a real hippie organization, and played their share of Be-Ins, but they did make a stab at being a real rock band. Jerry Garcia's ex-wife (Sara Ruppenthal) had been an early member, but she was surely out of the group by this time. The organist was Chuck Schoening (aka Chuck Steaks), previously in The Frantics and Luminous Marsh Gas, and later in Quicksilver Messenger Service.

The Howl: I have seen traces of The Howl in the Bay Area in 1967--apparently a psychedelic rock band.

Day Blindness: Day Blindness was founded at Jefferson High in San Mateo in 1968. The group had probably just formed. The band did release an obscure album in 1969. The group evolved into Fox, and guitarist Gary Pihl went on to play with Sammy Hagar.

Shango: Shango was a successor band to The New Delhi River Band, and apparently played very few gigs before they were signed and taken to Los Angeles to record under the name Horses. Shango's membership was Matt Kelly (vcls, harmonica), Tim Abbott (ld gtr), Dave Torbert (bs) and Chris Herold (drums).